Unveiling the Untold Dialogue: Liliana Segre and Primo Levi’s Powerful Exchange
While one dreamed of death, the other dreamed of life. This poignant phrase sets the stage for “The great nothing – or what was waiting for us,” a thought-provoking show that explores the untold dialogue between Liliana Segre and Primo Levi. After a successful run in Switzerland, the production is set to debut in Italy at the Carcano Theater in Milan on January 27th, coinciding with Remembrance Day.
A Little-Known Historical Fact
The project, with text and direction by Romeo Gasparini, was born from a little-known historical fact: Liliana Segre wrote two letters to Primo Levi, in 1959 after the publication of “If this is a man” and in 1986 after “The Drowned and the Saved”. This frank and at times ferocious exchange reveals a fascinating contrast between Levi’s cultured pessimism and Segre’s tireless hope. According to historical records, Levi’s works had a profound impact on Segre, prompting her to reach out to him and share her thoughts and experiences.
Original Text and Expert Supervision
The text is entirely original and benefited from the supervision of Alberto Belli Paci Segre, the senator’s eldest son. From the first draft, he gave his approval to the project and will be a guest of the replica in Milan. This collaboration ensures the accuracy and authenticity of the dialogue, providing a unique glimpse into the lives and perspectives of these two prominent figures. As noted by Liliana Segre’s Wikipedia page, her experiences during World War II had a profound impact on her life and work.
A Powerful Tribute to Remembrance Day
The debut of “The great nothing – or what was waiting for us” in Milan on January 27th serves as a powerful tribute to Remembrance Day. This international day of commemoration honors the victims of the Holocaust and other genocides, promoting awareness and education about these tragic events. By exploring the dialogue between Segre and Levi, the show provides a unique perspective on the human experience during times of war and persecution. For more information on this production and its historical context, visit Here.